The largest section of the book gives attention to the wide array of creatures that can be found in all three games. It is an international reference, and one that seeps through much of the Dead Space universe.Ī significant number of pages explore the Marker and Unitology, showing the many initial iterations of the Marker and depicting the church and how the DNA helix shape of the marker was worked into the architecture. In rustic browns and burnished yellows, the USG Ishimura is illustrated in all its intrepid space travelling glory, and additional air and land vehicles are represented in full color.įrom the outside, the USG Ishimura looks like the upturned corpse of a dead animal, its bones exposed to the elements.

Where most video games hand their protagonists unique guns, Isaac - who is an engineer - is more comfortable with tools, and several pages cater to exploring the weapons he relies on to dismember aliens and sever diseased protrusions from Necromorphs.

A few pages portray secondary characters from Dead Space 3 such as Norton and Ellie. Though Isaac spends much of his time isolated, he does encounter several characters across the trilogy. The evolution of his armor, as it improves over the course of the game(s), depicts the stylized use of ribbing, popular throughout the Dead Space universe and favored by the development team because of the way light and shadow would interplay off Isaac's suit in the dark and atmospheric lighting that is central to the game. Initial concept art for Isaac depicts a traditional heroic protagonist, but designers ultimately arrived at a rugged everyman.

The book opens with a stunning illustration of working class hero Isaac Clarke, suited and armed with a backdrop of glowing orange. The Art of Dead Space is a high-quality print book featuring art and commentary from all three games.

Dead space armor art